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Workshop: Portrait - Oil Paintings from Photos with Diane Dupuis
Workshop: Ceramics - Surface Decoration using Cone 6 with Pam Church
Workshop: Drama in the Landscape with Ira Barkoff
Workshop: Painting the Ocean with Ira Barkoff
Workshop: Sketching Trees in the Field with April Flaherty
Painting: Fundamentals of Realism with Edward Spaulding DeVoe
Painting: Oil Painting with Ira Barkoff
Painting: Foundations of Realism with Edward Spaulding DeVoe
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Painting: Acrylic Painting in Winter with Nancy White Cassidy
Painting: Oil Painting Masters Class with Patty Fogle
Painting: Landscape Painting with Marija McCarthy
Drawing: Fine Art of Colored Pencil with Clare Chapman
Drawing: Soft Pastels in Winter with Nancy White Cassidy
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Drawing: Beginning Drawing with Clare Chapman
Drawing: The Naturalist Studio with Banjie Nicholas
Drawing: Beginning in Pen & Ink with April Flaherty
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Life Drawing - Open Studio
Life Drawing - Open Studio
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Pottery & Ceramics: Beginning & Intermediate Ceramics - Creating a Body of Work with Pam Church
Pottery & Ceramics: Coiled Pots with Pam Church
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Printmaking: Monotype Printmaking with Debra Losada
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Workshop: Drama in the Landscape with Ira Barkoff

Workshop:  Drama in the Landscape with Ira Barkoff
The English painter, Turner, loved to paint a dramatic landscape, and weappreciate looking at them. He wanted to be tied to the mast of a sailing ship during a storm so he could see what the storm- really looked like and use this information to paint the storm tossed seas. When the parliament buildings were burning there he was, brush in hand. We look at these paintings with awe. Artists can see the landscape through the prism of many moods. Drama is only one of many.

But what an exciting thing it would be to realize the potential of landscape in it s extreme moods.

In this workshop we will concentrate on creating a dramatic landscape. First we will start with a large canvas, 30x40 or 36x48. Then we will use reference material that is dramatic in its essence: a photo you took, a painting you started, a sketch, any pictorial reference that says - DRAMA. Perhaps you took a picture of a stormy ocean or of clouds that predicted a storm coming. Maybe a full moon, lighting up a building. Any visual image that you perceive as dramatic landscape can be used as reference.

Perhaps you will discover that you respond to the extremes of nature.

Saturday Feb. 20; 1 -4 PM



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